First Chasseurette - Charlotte

Striking while the iron is hot, so to speak, I'm following up quickly on my post introducing Yara by showing you the "Hussarette" painting I  promised in that post. We'd set out to do our version of "The Chasseur's Lady" based on the 80mm miniature you can see on that post or here at metal-modeles nouveautes. I did a bit more research and found out these beautiful fantasy female figures were bought from UK company Phoenix Models and designed by exceptionally accomplished sculptor and artist Tim Richards. You can see, and buy, some of his lovely paintings of nude females at art gallery.co.uk. So it is a hard act to follow but that's part of the challenge of my Hussarette project. So here is my Charlotte - The Chasseur's Lady.

"Charlotte - The Chasseur's Lady, 1805"
Acrylic on canvas 14 inches x 10 inches

However, it wasn't till I got down to detail in planning the painting and looking up uniform references I realised what a conundrum the original Phoenix Pholly figure poses. I had assumed at first that she was wearing parts of the uniform of a Chasseur a Cheval of the French Imperial Guard - in fact the fur colback, bag, plume and raquettes are all fine. But if so that pelisse should be red, not green, and the boots should be black leather, not red. So we have a real fantasy chasseur here and I thought it better, if one is going to pay homage to a master, to stick with the original colours. Well, we all know French Chasseurs wore green uniforms but if so that should be a dolman not pelisse, unless she is from one of those few Line Chasseur Regiments which wore the green pelisse - some reader will no doubt remind us which they were.

The red boots reminded me of Lynda Carter as Wonder Woman. In the style of Legatus Hedlius here's a pic of her

Luckily my lovely Eastern European models seem well equipped wth high heeled boots, so no problem there.

Here is a close up of the, umm,  face

Not a particularly good likeness of Yara, but she was putting on her serious military "Don't mess with me" expression and I found it too severe for a commercial painting. I hope you like this young lady. And if you think she looks too young remember Marshal Massena's mistress, Henriette Leberton, was, accordng to legend, only about 20 when she distracted him from properly conducting the Battle of Busaco in 1810 (fact suggests she was 32 but that spoils my anecdote!).  As an old man painting young flesh, I'm beginning to understand and sympathise with poor old Andre :-). He was 52 at the time!

Just to complete the picture here are the hands, sword hilt and cuff lace.

Comments very welcome.

My Chasseur's Lady stands 210mm, foot to eye, and is priced for sale as a unique original painting at a similar price per millimetre as the Phoenix miniature, only she is completely ready for display and will provide enjoyment for generations. Please contact me if you are interested in this one, or "Natasha", or in commissioning anything to your own specifications.

Wargamers, don't worry, next posting will be back to Waterloo with something equally spectacular - one of Kevin's 180 figure battalions.

Hussarettes: “I know how shoot - my boyfriend was in Military”

(This was originally published on 28 Feb 2014, but I have merely updated near the end with a new email address. Apologies in advance if this causes any confusion)

Count Gregorius looked down at the girl. Although there was a slight chill breeze in the wine cellar of Grunburg castle, she showed nothing but pride and strength. If she felt cold then there was no sign of it and the flickering torchlight gave a warm glow to her skin.. On her head she wore a black fur colpack with gold cords, across her shoulder was draped  a yellow woollen pelisse lined with grey fur and fastened by a gilt strap matching the lace button loops. Her yellow leather Hungarian style boots also had gold tassels. She slowly discarded the red military style short waistcoat which she wore when she had entered the room, and placed it on a stool. She wore nothing else except a remarkable gilt bracelet. The Count couldn’t help wondering what had become of her undershirt, or her dolman, and not least, her breeches.  He glanced, for some kind of explanation, at two stern Grunburg Dragoons, the guards who had brought  her into the wine cellar, but there was none forthcoming.

He walked slowly round her, admiring her Eastern beauty and pondering on the story of her capture. It was during the Prussian army’s pursuit of the Russians following Frederick’s  rather doubtful victory at Zorndorf. She was cornered in an inn wearing what appeared to be the uniform of an officer of the Gruzinsky Hussars,  but she  had fought three of his Dragoons to a standstill until forced to surrender by overwhelming numbers. He realised such a combination of spirit and feminine charm could be put to good use in his long term ambition to become Elektor of Reikland. But first she had to be put through her paces.

“Who are you?” he demanded
“I am Countess Natasha Gruzinskaya”. The surly expression never left her face as she spoke in a rich Russian accent. “I know how fight - give me sabre!”.
“Why are you naked?” He could contain his curiosity no longer.
“Better to fight, of course!”
With a little trepidation he handed her the elegant oriental sabre which he had taken from a captured Croat officer in the Prague campaign. She handled the curved hilt and weighty blade with confidence, all the time staring at him with the contempt of a superior being for an underling. He summoned forward his fencing master, a Captain of Dragoons, who took up the en garde posture which gave the Countess little doubt that she was to be tested.

Gregorius could hardly bear the thought that her perfect skin might be pierced in this contest, yet her spirit had to be broken somehow........

"I know how fight - give me sabre!"
Natasha of the Gruzinsky Hussars, 1758
Acrylic on canvas 14" x 10"
NOTE Copyright - not to be copied elsewhere without my permission, CG

.....But no need to worry, for this is part of my Imagi-Nation. “Natasha” was in no danger for she is really Yaroslavna acting the part of a Hussarette for my most recent photo-shoot to gather yet more reference material for the project. And the beautiful sword is real, but a dull-bladed, reproduction.  As she is a former professional model from Russia I was very fortunate to be introduced to Yara . She was keen to get back into “practice” after a few years doing other things.  She is a very confident young lady with loads of expressions and a willingness to take direction sometimes overtaken by her own exuberance for her art.

She entered the part so seriously that I had a bit of difficulty at first as she took on the discipline and austerity of the military persona as a kind of professional test.  I was showing her the Napoleonic carbine and was putting it at half cock, ready to fire, when she grabbed it with the words “I know how shoot - my boyfriend was in Military”. This photo followed  immediately afterwards

After a bit of this attitude, with which we got many good shots, I told her to lighten up - “Remember you are a pin-up - who wants to look at a miserable pinup?”  That got results and I do have smiling

In fact one of the key drivers for this photo session was  a beautiful miniature brought to my attention by Jean Louis (abdul666) back in 2012. A female version of a French Imperial Guard Chasseur a Cheval, but minus a lot of uniform. Here is a link to the original metal-modeles.com/en/nouveautes and lots of other novelty ladies too.

I hardly dared believe back then that  my project would enable me to  recreate it - a Chasseurette rather than Hussarette.    Yara posed for this from many angles, including the classic pose of the miniature (above), but I won’t show you that one as it will be a definite for a painting later.  But here is another variation.

The deal we have is something of a mutual goal for art’s sake, apart from her fee. In her case a self confessed “passion” for posing and modelling, and a real interest in representing this in painting. In my case I needed a model who was unfazed to go further than the lovely ladies I had already used, and across a wide range of themes. These themes featured a good selection of my props, by no means all of a military nature, but also to allow me to develop more sophisticated reference material.  A lot of that need not concern the wargamer blog follower, but for you chaps, and even ladies, here are two more themes.  The first is taking the “Tales of the Golden Head” girls into the jungles of the Dark Continent –  If I’d known her earlier Yara could have modelled Constance perfectly.

For those who prefer jodpurs I take consolation from a book I’ve recently read - Draw and Paint Fantasy Females  by Tom Fleming. He says if you want to put skin-tight clothing on your fantasy females best to use a naked model first!

The second is along the lines of the classic fantasy females made famous in the art of Frank Frazetta and Boris Vallejo in the 1950s - 70s.  Yara found a variety of  ethnic looking jewellery, and with dagger, axe and "spear" she took on the role of empowered warrior queen, both fighting and looking dignified in royal splendour. They will make some lovely paintings with imaginative backgrounds and atmosphere.

Another photo set may be of interest to viewers of this blog, which will be the 18th century Hussarette “wet T shirt” painting. Hussarettes playfully washing in a fountain or village pond is a theme that was suggested to me at the outset of the project and I have collected some good material from the Duchess and my original model “M”, but I have to say, nothing quite like that produced by Yara. We used some images from Peter Scheck’s fabulous model les baigneuses of the 18th century as inspiration and here is just one interesting pose of the many I have.  All it needs now is a sponsor to see a big painting take shape using loads of material and probably a variety of regiments’ disrobed uniforms!

OK. Now the sales pitch! A model of this quality does not come cheap, and she, quite reasonably will have  a royalty on any painting sales. So I’m very keen to be able to use some of the marvellous material at my disposal for painting - anything considered from £50 upwards. And you can engage with me by private email (Chris Gregg ), to discuss what sort of thing you might like. 

And please show your appreciation for Yaroslavna by commenting on this blog. I’m sure she will be delighted to know that she has not lost her considerable charms since her previous work experience.

FINALLY - A FRIENDLY REQUEST. I've noticed that copies of some of my other Hussarette paintings have been posted elsewhere on the internet. That is fIattering and I love sharing this aspect of how my work and hobby combine. But it does cost me a lot of time and a fair bit of money, as well as original artistic imagination and effort, and 40 years of practice as an artist, so please have the common courtesy of asking me first, and ALWAYs give me credit by name and preferably a link back to the blog or my website. Better still, as some of my clients will attest, commissioning a painting from me, whether fantasy or military, male or female, can involve you in a lot of insight into my working practice and the opportunity of selection of further images.

Hussarettes celebrate 25,000

Well you did it, and in record time! Six days on from my celebrating over 24,000 page visits and you've made it 25,100 . Thanks to everyone who has supported me since the beginning and to all those who have joined since. Whether you come back regularly or just find my blog by chance I hope you find something here of  use, interest , or to just brighten your day. The posts about the Hussarette paintings are consistently featuring in the top five favourites so I promised you some more after the 25,000 mark, and here is the latest work.

This was commissioned as a companion piece to "The Twins", which for those who can't remember it, is here
This one is called "Hussarettes d'Oriente: Suzanne et Suzette,  of the 22nd Chasseurs a Cheval and the 7th Hussars bis, in Egypt, 1798"

This is their story:

Suzette was born in 1775 and Suzanne in 1777  and, as they grew up, they were inspired by the role models of their twin aunts, Francoise and Francine, who started a trend for ladies of standing to take up military careers and joined the French Legion Etrangere. This admiration was embodied in the "Twins" painting of 1780 that took pride of place in the family Chateau in Gascony, and Suzanne and Suzette later leaned towards military interests themselves. 

Then came the Revolution of 1789.  However , although some Royalists fell foul of the guillotine this family was good to their servants and farm workers and were able cleverly to espouse the Revolutionary cause and rise up the new hierarchy. Thus these girls joined the army when they were old enough as young officers. Now aged 23 and 21 respectively they find themselves on Napoleon's Egyptian campaign. They are off duty and doing what tourists in Egypt do. They have hired camels to see the pyramids.  They've brought their swords playfully to scratch their names in the sand and pose as victors, and Suzanne, who is the more audacious,  steals the show while her slightly older, more reserved, sister Suzette looks on, trying to smile sweetly but not quite succeeding. 

In the background the bored camel driver awaits their pleasure in the shade of his camel while another tourist party is assembling in the distance.

This is another oil painting on gessoed canvas, size 20 inches x 16 inches, and the technical details of its creation are much the same as in the Twins painting referenced above.  The decisions on uniform details though did initially pose some vexing emails between me and the client.
- Did the 22nd Chasseurs wear fur lined pelisses at this time?....but wouldn't they be too hot in the desert anyway? The client loved my model "Ella" in her pelisse so it had to stay, but we discarded the dolman as both together would  definitely be too hot. 

- What colour green was the 22nd's uniform? We settled on  mid green for the pelisse and bright green for the breeches. 
- 7th Hussars bis did not seem to be the same regiment in 1798 as the later 7th of Empire fame and uniform guides varied between dark blue, dark green (maybe black?) or a more normal French Imperial green. I argued that, artistically, the mid to dark green shown would compliment the greens of the 22nd as well as maybe relate to the later 7th Hussars more faithfully.

The design of the gold lace on the breeches came from a source dated 1800 but it was just so gorgeous, and challenging to paint, I couldn't resist. Besides, the client had asked for ringlets in her hair and the lace followed that motif wonderfully.

My 1803 style three-bar sabre hilt was too late for this date so I've given them the single bar style of the 18th century.

 Subsequent research into Egyptian swords led me to discover French sabres "a la Mamelouk" and  I realised that some of the later exotic sabres beloved of rich officers were influenced by the original swords of Napoleon's Arab enemies in Egypt. I've acquired a lovely reproduction version which I intend to feature soon in the possession of a "Chasseurette" of the Imperial Guard.

And, Legatus, if you are reading this, don't worry, that pyramid background is not ripped off from your personal profile picture! 

Now my client's idea for these two further French military ladies and our joint venture to connect them in a historical family context got my imagination racing as to where things might lead if Hussarette (or Chasseurette) paintings began to connect in a series. Here's an illustration to get the creative juices flowing.

It is a detail from a painting by Jack Girbal showing Lasalle, as a Squadron commander of the 22nd Chasseurs in Egypt about to save General Davout's life by cutting off the hand of a mameluke who is attacking him.  I got to thinking that maybe my audacious Suzanne could became a female Lasalle in my parallel empowered women Napoleonic history - Colonel Suzanne at the head of her Regiment; later General Suzanne leading a fine Brigade, then Division, of Light Cavalry,....;being decorated by the Emperor for ever more daring exploits.........I've had other ideas too, some of which will see our Hussarettes shedding their uniforms, which is how it all started really!  So I'd be interested to hear any views of readers on what they think might make good paintings with female alternatives in the place of our hero regiments and characters. You can comment here or if you wish a more personal discussion please contact me by email  Chris Gregg 

And that's also the way to follow up this next point. Anyone fancy commissioning more from my model Ella?. She is coming back to the UK  for a few weeks in July and may be willing to do another photoshoot. Here is a  reminder where can read more about her in a previous post. So email me soon for a chance to customise your painting - Hussarette or any other theme, absolute discretion guaranteed .