Showing posts with label Hussarettes. Show all posts
Showing posts with label Hussarettes. Show all posts

Wednesday, 1 January 2025

New Year Greetings from a "Corsairette"

Many of my regular visitors will recall that this time last year I posted a feature on a lost masterpiece by my namesake Sir Joshua Gregg RA. See A Corsairette for Christmas

Well, my blog post must have stirred up the watching aristocracy to search their dusty attics or basements for their (not-so?) illustrious  ancestors' hidden chatels. Another one, presumably from Sir Josh's 1780 under-cover trip across the channel. Nothing much is known about this one, recently emerging from an estate in Derbyshire which must remain nameless........so we have to guess.

Apart from the obvious naval garb - the gold lace on her tricorn suggests an officer, and the shipboard setting, we note the initials on a barrel - which could be "DA" for Capitaine Julienne's corsair brig "La Dauphine Amusante". Also in Josh's usual fashion he managed to work the lady's name somewhere into the scene, in this case on the barrel at right foreground. So we could call her Lieutenant Polina. With a name like that I'd like to think, despite that cute face, she is really a hard bitten Ukrainian pirate lady. Probably recruited by Julienne due to her experience and to help keep the crew, and those visiting merchants referred to in the previous blog, in order.

Lieutenant Polina - original painting in Acrylic on canvas 10 inches x 8 inches

It's not known if Sir Josh stayed long enough on board La Dauphine Amusante to go on a voyage, or merely painted crew members while in port. Such records as exist hint he might have even met on board some representatives of the French Government for "secret" talks on behalf of The Admiralty and the Diplomatic Service. That's why the need for the paintings as cover, as well as salacious art work to pay off those back home who turned a "blind eye". Whether this trip had anything to do with the French decision to side with the Americans in their Revolution we may never know......  As a mere artist I'm just wondering if you can get such a bright looking sunny day in a channel port? Or is it artistic licence?


......thought my military minded followers might like a closer look at the ....ummm...... weapons

I've continued to use this story again this year to do this small painting as my annual military pinup for a  Christmas card. Many of my wargaming buddies and military art clients will have received one. I hope you (and they) like it. Last year one client suggested the pirate theme was worth expanding so I had the opportunity in the Summer to work with a professional model who gets what I'm trying to do and loves to model exotic subjects. We had a fun day in the sunshine on various 18th Century themes and I've got lots of new reference material , including 5 different pirate ladies.

The set below gives a very quick idea of the art process I've been developing lately, involving Artificial Intelligence (AI).  At left is my model, Jo,  in a super confident naval officer pose - minus jacket! Her sword is elsewhere from other posing. I ran this as a prompt through an AI system with some suitably descriptive words. I tried lots of variations, and you can see this system (Nightcafe) wants to sanitise and cover the naughty parts. The next picture is my preferred AI result and I thought the face was suitably playful for a greetings card. The system was having a great time interpreting my photo as a formal garden with a boat and sail in it!! Who says it's "intelligent".  Well actually along the way I got lots more bits of costume and ship parts and I put them together with Photoshop to arrive at the mockup seen in the third photo.  The essence of it is still the majestic pose of Jo but enhanced. So the fourth picture is my finished painting, though a rather dull rendition in that reproduction. It's got a certain vibrancy in the original that does not reproduce easily at this scale.



"French" Naval Lieutenant Polina is my second "corsairette", and Number 38 in the general "Hussarette" series. She is for sale priced at £80 so please get in touch if you are interested, or wish to purchase or discuss any of my other work. 
I can be contacted through the Contact page in my Art website here
or have a look at more of my Hussarettes and Military art 

And now another idea to see if it appeals.
Fancy an original painting of a nice lady in uniform playing with your own .....toys?
Well I got mine out and Jo was happy to take up lots of poses as both officer and musketeer across the wargames table with part of my 28mm Seven Years War collection 

Mousquetaire Joleen behind the Hanoverian army

Colonel Joleen about to move some of the French army

Game underway getting a bit more into the mood!!!
 - a forward observer?

I also did a couple of sets around a wargames table with another model - as a Napoleonic Hussarette and a Zouavette of 1860 - 1870 period, so I have loads of interesting material from which to make paintings
and I don't need to be restricted to just these periods. Let your imaginations go and contact me if you have an idea you'd like to commission - either with your own models (the miniature ones) or my set up. Faces of course can be used to suit your taste, I can even put you in the picture too if so desired.

For more of the charming model Jo, please see the links to various social media and professional sites she appears on from her Linktree page. And if you feel like supporting her work financially there are opportunities there. I do recommend the "Admire Me" site in particular.

FINALLY - a heartfelt thanks for another year of great support for this blog. I really do appreciate you taking the time to look at the pics, read my descriptions and follow stories and the wargame AARs. In particular it's great if you can comment in some way - like all bloggers I like to know what you think and to know there are folks out there who like, or get inspiration from, my efforts.
HAPPY NEW YEAR


Sunday, 24 December 2023

A Corsairette for Christmas

When he started down the rocky road as a professional artist  Sir Joshua Gregg RA never imagined he would have to sneak into an enemy country, in disguise, to further his obsession to paint beautiful, exotic and dangerous women!

There is not much documentary evidence for this exploit as Sir Josh gave little away in his memoirs, for reasons which will become clear following such research as I have been able to do.  In 1780, when Sir Josh was in his mid 50s news, one might say only rumour, was spreading throughout London of a French Corsair causing havoc in The Channel among British merchant shipping taking supplies to the beleaguered British and Hessian troops in the American colonies. This brig was said to be "womaned" by an entirely female crew and led by a young, beautiful and ruthless daughter of a French aristocrat. Working outside the regular naval authorities, yet within the law under her "Lettre de Marque", signed by King Louis personally, this Capitaine, known only as Julienne, had evidently developed a unique method of parting the merchant crews from their precious cargoes.

Julienne - and Sir Joshua has depicted her Lettre de Marque pinned up for all on board to see 

Delving deep into archives of private letters and promissory notes, sometimes in dusty basements of English Historic Houses, one can piece together snippets of information from landed gentry, shipping magnates, senior Government officials, Admiralty ledgers and even from merchant sea captains and a few educated junior officers. Reading "between the lines" of the tortuous 18th century flowery language this is how she did it.

Julienne herself and some of the more well endowed and younger crew members would hail the passing ships, making out they were in distress with a false rigging and sails appearing to have been fouled by a storm.  The British sailors, unable to resist the beautiful French accents and obvious physical charms, having been at sea for at least a week, maybe two, went on board to help. Only then were cutlasses and pistols drawn and the, shall we say, well worn and more mature crew members then in evidence bearing these arms. But violence was not top of the agenda. Julienne's aim was to wreck the British trade by acquiring all these goods for her crew and for France. Rather she invited the merchant crews on board to "Party" in exchange for their cargoes - with the alternative as a watery grave......

Not surprisingly it was, as we say in the 21st Century, "a no-brainer" to enjoy the delights on board "La Dauphine Amusante" and write-off the cargoes as "washed overboard in a storm". The shipping owners could claim the insurance and surely the War in the Colonies would be won by the time Lloyds of London smelled a rat.

I have shamelessly taken a photo of Sir Joshua's painting and imagined Julienne
 inviting the viewer on board to have a Christmas party with her crew. Who 
could resist?
I used this as a Christmas card for my wargaming friends and military art clients

Once a journalist's take on this scandalous story made "The London Times" it became a hot topic of conversation in the coffee lounge of the Royal Academy in Piccadilly. As one of the RA's most trusted and long serving members Sir Josh was well placed with contacts among the Lords Commissioner of the Admiralty to arrange for him to be transported to France as "a private citizen", supposedly to conduct secret negotiations with the French (This was long before MI6 of course!). How he explained all those trunks of canvases, brushes and paints and his travelling easel we shall never know. There were naturally sceptical and sanctimonious types who were ready to brand Sir Josh a traitor, and Art Historians have come to suspect that he may have had to bribe quite a lot of well-placed members of Society to keep things quiet. Looking at Sir Josh's life's work, and his early studies under that French reprobate artist, Francois Boucher, (see for example) it's not hard to imagine that, in the fullness of time,  a number of sketches or paintings of other members of the crew will emerge. They will have been kept under lock and key by the hypocritical owners for fear of being denounced in Parliament or their Church! However, if any come up on TV's "Fake or Fortune", I for one will be avidly interested.

We can only guess that Sir Josh had managed to get a message ahead to convince Capitaine Julienne that this was not some British trick but a genuine effort to flatter her ego and satisfy his own curiosity. What else Sir  Josh managed to satisfy of course he kept very quiet about! But we do know he was very fit and healthy for his age and an advocate of a non-meat diet, so who knows what he got up to when away from Lady Josh's oversight! For Josh, of course there was a professional motive. Once the War was over and the shame of giving up the American colonies died down, he was happy to exhibit "Capitaine Julienne" in the Royal Academy Members Exhibition of 1784. His fame took a boost and the commissions once again rolled in from the Great and Good of England. An excerpt from one historian's  analysis gives an idea of how this notorious portrait drew even more acclaim than Sir Josh's "Prince of Wales" in the same year.

"However, his most admired work by far was his portrait of the French Corsairette Julienne in the guise of a sea captain. The painting attracted rapt reviews and was widely esteemed—as it still is today—to be one of Sir Joshua’s finest. Yet as the The Whitehall Evening-Post shrewdly observed, this triumph was due, at least in part, to the circumstances of its display. While noting that, “in the present Exhibition Sir Joshua stands so proudly pre-eminent,” the journal expressed “our regret, that Gainsborough should not have kept his ground.” Had he done so, it gamely wagered, “he would, doubtless, have shared the prize of publick applause with the President, and have afforded good ground for solid and substantial doubts, which of the two deserved the better half.”

As a fan of all these esteemed 18th Century portrait artists I remain strictly neutral! However one might speculate that some of Sir Josh's resultant commissions were from those secretly involved in his sojourn on the French coast in 1780, and needed a "cover" themselves.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Well I hope you've enjoyed my little seasonal tale of Alternative History. For the more artistically minded you might find it interesting how my painting came about.

I've accumulated a lot of commissions during the early part of 2023 for paintings of ladies of various types - Fantasy in sheer dresses, Hussarettes and even 1860s/70s Zouavettes and by September I hired a professional model living not that far from me. We had two very long and productive sessions with about 8 major costume changes involving many uniforms and props and wigs and with indoor and outdoor settings. No doubt those who follow me on Instagram or my website will see the results in due course. For this one I started off with a couple of Hussarette photos which I thought promising and ran them through an Artificial Intelligence system called MidJourney.

AI for artists like me is a tortuous process and I'm still very much at an experimental stage. The AI system doesn't accept too much flesh on display so I had to "add" the blue breeches in Photoshop to fool it. But the point was that I did not know what to expect and one goes through many iterations, asking for variations and then getting multiple choices from which to proceed further. Here are some examples, not in progressive generation order though.



The one at bottom right looked reasonably "authentic" as something I could use in an 18th Century context and weave a story round. You will note from these examples that the AI seems to be pre-destined to give somewhat "steampunk" costumes and settings. It can't cope with a Napoleonic Hussar pelisse nor render a bicorne hat except as if the wearer is some kind of sailor or pirate.


Never mind, as a source for the fanaticism of Sir Joshua Gregg's brush it proved fruitful!






So I took that image and worked it up in the AI and Photoshop to the proportions I wanted for my canvas and added the candle, barrel, short sword, pistol, glass of wine, background enigmatic evening sky and "Lettre de marque" to provide the following reference from which to paint.

What follows are pics of a very condensed view of the process in realising the acrylic painting.

The painting area and the opening outlines based on pencil drawing

White acrylic outline on black gesso ground gives me a very good starting point for colour

The candle and distant background are the only parts complete so far

Finishing the face early gives it character and encourages me to press on 

The figure is complete, now I just have to tidy up the mahogany shelving, barrel, wine glass and final tightening up.

Here is the final painting

"Capitaine Julienne, Corsairette, 1780" (Nr 34 in the Hussarette Series)
Acrylic on canvas, 12 inches x 10 inches

Detail of cutlass and pistol

"Julienne " is in my opinion a super painting and the actual article is a gem. Much better than any of the pictures here suggest. I hope one of by regular collectors may like it, or indeed if you want to start your collection of my "Hussarettes" what better than this one at under £100? Please email me if you are interested in discussing it. Chris Gregg

Here also is a link to my Art website - for Military Art, Hussarettes, Landscapes, Fantasy and Female figures Chris Gregg Art

I wish all my regulars and new visitors alike a Great Christmas and a really happy, healthy and successful 2024.


Sunday, 26 February 2023

Another painting for Ukraine: One Year On

 It's with mixed feelings I faced the one year anniversary of Putin's invasion of Ukraine. Sadness, that it is still going on and the people of Ukraine (and also so many families in Russia too) are suffering so much. But also satisfaction and admiration too. Admiration for the fortitude of the Ukrainians to send all their menfolk to fight and not flee like in the Middle East and Afghanistan. Admiration for the Ukrainian women and children, many have stayed to help or just carry on to show the Russians they can't be cowed, and many have gone to friendly countries to support their fighters to manage the best they can till things are better.  Not least I admire many of the young women still in Ukraine, we have seen many on our TV screens over the last 12 months - from Government Ministers and MPs, fighters in the armed forces along with the men, to medical staff and civilians using their skills to help keep the fight going.

I was incredibly heartened by the support my art for Ukraine received  a year ago. I ended up painting not one but two, thanks to the generosity of my patrons; and with some small prints sold at a wargames event and to friends have raised nearly £500 by my efforts. Those families still need our support. Personally I need no convincing that the Ukrainians are fighting for us too.  If they crumble Putin will be emboldened and he won't stop there. The parallels with Hitler and 1938 - 40 are too powerful to be ignored. He tries to tell the Russian people that the West is out to get them. No we are not, but we have to be out to get him, and anyone that fights at his bidding. The only way I have to do that is to paint, and ask you to have faith in my work and raise as much as we can to support those who are fighting and dying for our values of freedom. Before I get too emotional let's get onto the art. 

Here is the second painting which I don't think I ever showed on the blog. The patron has a great sense of humour and he asked that the Russian look a bit like Putin, and the Saxon Cuirassier a bit like Zelenzky

The Saxon Zastrow Cuirassiers fight Russian Artillery in 1812.
Acrylic on canvas 12" x 10"

This year my thoughts turned to trying to honour the women of Ukraine. I recalled that a young Ukrainian lady, who I've called Ella, modelled for me way back in late 2012.  I looked back at the photoshoot, which was of course before the Russian incursions into Crimea and Eastern Ukraine in 2014, and found some useful source material.

I'm bound to offend someone as the history of Ukraine is so diverse how can I,  a poor Englishman, expect to get it right? Apologies in advance but my 2023 "Cossack Girl " is neither historically or ethnically representative - she and her setting are entirely symbolic. I'm trying to say something like the following:

  • Cossack men have a reputation for toughness. The 12 months 2022-23 have shown the Ukrainian women are tough too
  • Yet Ukrainian females are world renowned for their beauty, feminine charm and tenderness
  • The Cossack sabre and pistol stuffed in the sash show she means business
  • The highly decorated fur pelisse and fur hat are symbolic of the richness of the country but harsh nature of Ukraine's climate and the war.  However, the flowered blouse shows that underneath is a kinder future
  • Her expression is neither angry, happy nor self satisfied, yet is hopeful as she kneels among the burned wheat that is regrowing anew around her and embodied in the Ukrainian flag.

I give you "Hope for Ukraine - Cossack Girl". Details of my online auction are given below the pictures

"Hope for Ukraine - Cossack Girl"
Acrylic on canvas 11.5" x 8" , UK A4 size

Cossack Girl - detail

The canvas sides are painted but it could be framed.
The painting comes varnished, strung and ready to hang.

Once again I will be giving to what I believe to be a reliable charity - the UK Disasters Emergency Committee, Ukraine One Year On

I usually sell paintings at this size for between £75 and £100. This one took me about 12 hours work. So please start the bidding at £80 and let's see how far we get....... I will give 100% of the result to the charity minus the cost for insured postage to your location.

Please email me your bids to Chris Gregg
The Auction closes at 1pm UK time on Thursday 2nd March 2023. I will be giving updates on this blog and my Instagram account.

If you are unfamiliar with my art work, or have not looked for some time please visit my website https://chrisgregg-art.co.uk/. You can ask me questions through the "contact" page there or via the email link above.

Thank you.
Chris
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
UPDATE 2000 HOURS MONDAY 27th FEB

I'm delighted to be able to say that after the first 24 hours the bidding has reached £120.. While I would be disapointed to have to turn away the current leader please keep the bids coming to get more money to the cause. Thanks to all who have emailed me and commented in any way.

CG

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

UPDATE AT 1020 ON THURSDAY 2nd MARCH

Just few hours to go and the bidding is now at £140.  Thanks so much to those who have expressed support.

CG

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

FINAL UPDATE:

The auction is now closed and the painting went for £140. Very pleased to say it went to one of my oldest friends who I studied art with at school. He is an active supporter of the Ukrainian cause and lives in Southeast England. Even better he is planning to auction it to try to raise yet more money!

A heartfelt thank you also to everyone who has emailed me with good wishes and support even though I know many could not bid for various reasons. Let's hope the war is "solved" enough by next March so I don't have to do this again!!

CG




Tuesday, 19 October 2021

Relaxing Hussarette - more on Countess Natasha, 1758


September 1758 

.........The bedroom in Schloss Grunburg was surprisingly warm considering the late hour. Countess Natasha Gruzinskaya slipped off her pelisse and settled into the large buttoned sofa so thoughtfully placed by the servants near the fire. Her skin glowed with the arousal of personal combat enhanced by the firelight.  She was quite relaxed.....what could have been an arduous duel with Count Gregorius' fencing master, Captain Metternich, had ended quickly. She reflected on her deft movements and smirked.  Gregorius had asked her why she was naked and she told him "Better to fight" ....but her only garment, the yellow Gruzinsky Hussars pelisse, was actually the key to victory for she had whipped it off and thwarted Metternich's first strike.....his blade slashed through the sleeve and got tangled in the loops and cords. She pulled it aside and delivered a disabling blow to his sword arm. He would live but the Count would be needing a new fencing master, or mistress... 

Although she was a prisoner, the Count and the assembled guards from the Grunburg Dragoons stepped back in awe and respect, for Metternich was known to be a formidable opponent, and yet here he lay bleeding and looking helpless. 

There was not a scratch on Natasha but now she only had on her hat and her boots and her pelisse was in tatters so Gregorius instructed one of his aides to give her his own blue pelisse. To imply that she needed clothing to recover her dignity would be far from the truth for she stood erect and elegant, the Croat's oriental sabre poised delicately but purposefully in her hand, as if to imply "Any one else want the same?"

"Countess......", Gregorius sounded friendly...." you have done well, and as my prisoner I put you on your officer's parole not to try to escape. Now please give me back the beautiful weapon I lent you and we shall return yours to you. Then you may have a guest room and I will see you shortly."

So, in that guest room, Natasha contemplates her fate. Will she ever return to the Russian Army again? Maybe Grunburg could provide a new home and new adventures throughout Europe in the Count's service, who knows?

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

But we, dear readers, know better, don't we?

This story, and new painting, is just continuing the saga of the reckless and semi-naked Natasha through the Seven Years War. Here is a link to my original painting and first photoshoot with my Russian model. And as a reminder, the first time she came to be painted chronologically in 1755 plus links to the other incidents concerning her and Grunburg.

Once again an oil painting on canvas, 16 inches x 12 inches and available for sale at around my usual very affordable price for this size. Please take a look at my art website for more detailed photos and a link through to a whole series of photos showing how the painting was created, I hope you enjoy it.

As I have said before, I am open to commissions for military subjects or  your own fantasy Hussarette/Chasseurette/Lancerette etc, just get in touch via the website or direct email and we can discuss.

A skirmish between Prussian infantry and cossacks at Zorndorf, 1758. By Emil Hunten (1829-1862) painted 1862.  No, not the Gruzinsky Hussars, but Natasha was captured near Zorndorf by Grunburg Dragoons fighting for the Prussians


Tuesday, 23 March 2021

Introducing my new(ish) Art website

One of the things that kept me busy during much of the lockdown period last year was working on a new website for my art, a lot of which is military related. I was very lucky that well known wargamer Colin Ashton has a talented wife, Katherine, who is an IT teacher by profession and web designer in her "off duty" time. Colin volunteered his spouse's services as he is an ardent collector of my paintings and great supporter of everything I do.

So I submitted masses of images and plagued Katherine till the Summer when it was almost ready and then I had to learn how to  keep it updated and maintained myself. We did this by means of several Zoom video sessions, and what a wonderful teacher she proved to be, so that by Autumn I was able to start updating it and unleashed the published version on the world in late November.  Some of you may have seen mention of it on your Christmas cards from me.

I'm very pleased with it indeed as the forerunner was a shared site among  Cheltenham artists and Andy, artist friend and webmaster, admitted that it was now outdated and could not effectively be updated. That site still exists however with most of my work from the Noughties up to 2017 still to see. There is a link to all that stuff from the new website.

It has been a work in progress since Christmas (slowed down by my having to paint for an exhibition locally, now in progress and going well) and still is in minor details. But at last I think I have got almost all my existing stock of paintings for sale on there as well as very much else.

There is a Welcome page from which you can navigate to everything else either via the front pictures or a Menu at top right.

Welcome page

Screen shots of CG Art Website pages


There is an About page which has a lot about me and there is more on various Theme pages that fleshes out my artistic history and motivation and methods.

About the Artist

The main part of the site is seven Theme pages:

Drawings, Fantasy, Military, Hussarettes, Landscapes, Figures and Portraits

Themes


The commercial part is a "Works to buy" page and there is an (irritating?!) animated button on each page with a quick link to it - go on - you know you want to! Currently there are over 30 paintings there for sale of nearly all the genres I cover.

Works to Buy

There is a page just for new work, so I can show off the latest commissions too.

New Work

And just for fun, some of my favourites merely to look at - called the Gallery page. Here, as throughout the site, you can click on the images to enlarge the view and click on Information buttons to find out more about the painting, sometimes with staged demos of how I composed and painted them.

Michelle of Mortier's Guides
Acrylic on canvas 10 x 8"
Ian Allen collection

Gallery

Finally, I hope, if you have enjoyed a look around the site and want to contact me about anything (maybe commenting on paintings, enquiring about a commission or wanting more info before buying) then please use the "Contact" page at the end. That should go directly through to my usual email as if non-contacts try to email me direct it has been known to go to my Spam folder.

As an incentive I'm offering free UK postage (or equivalent value discount for overseas buyers) until Easter as an introductory offer if you use the Contact page. So now is as good a time as any to buy if you see something you like. And if you'd like to commission something special, such as an Imagi-nations military subject or a favourite battle story, a military lady or even a Fantasy or Sci-Fi subject, then I have experience in them all and we can have fun working on it together.

Thanks for reading this and I look forward to hearing from you.

Chris
(aka Sir Joshua Gregg RA)

Saxon Rudnicki Uhlanen 1757
Acrylic on canvas 15" x 8"
Colin Ashton collection

Monday, 6 April 2020

Seb's Soldiers: Maybe a learning opportunity locked down with your children?

The present unfortunate situation most of us face around the world means that many wargamers, or parents of children who like military toys, are stuck at home, possibly for weeks or months looking for new ways to amuse and educate their kids.  I created this project last year inspired by my 6 year old grandson, Sebastian, who likes playing with my soldiers. This blog post will tell the story of how I made the armies from "classic" 1970s 25mm figures, wrote and tested some rules and laid on the first game of "Seb's Soldiers - Napoleonic" for some of the family. I hope it will be of interest to my more experienced readers who like the classic toys many of us started with, and to those who have children to amuse. There will be links to the rules and resources to help give some stimulus. Talking if which there is even a Russian Hussarette along the way!

Seb and his Dad, Scott, deploy their army at The Battle of Ashton Keynes
Rossen and Lucy provide the opposition
The Origin
About 18 months or so ago I went to a party (you remember those gatherings where people get close and chat?) and over the drinks and nibbles found myself talking to a nice chap named Phil. A glass or two of wine had loosened my usual reticence and I admitted I played with model soldiers as a hobby. "Oh," said Phil "I used to do that when I was young, I've got a box of soldiers somewhere in the loft I haven't used for 30 years, you can have them". I gave him my contact details and thought little more of it till several months later when I got a call and arranged for Phil to bring them round.  I was amazed by his generosity as the box contained about 150 classic 25mm Miniature Figurines Napoleonic British and Russians and about 200 Waterloo style Minifig Waterloo troops in 15mm.  The latter proved a gift to my friend Richard to join his 15mm Peninsular War armies and I had to ponder what to do with the 25mm ones........

British Grenadier Guards was one of the first units to be completed
One day that week I found myself on granddad duty with Seb, and the classic figures were looking rather dusty and untouched after 30 years absence from the field of combat so I asked Seb if he'd like to help me clean them up. We got a bowl of warm water and some soft brushes and paper towels and began the job of dusting, washing and drying them one by one. The little chap proved surprisingly adept at matching uniforms of the painted ones and the poses of the unpainted ones so that after a couple of hours we had long lines of figures looking a bit like regiments. When he went home I said in an openly questioning way "What did you think of the model soldiers Seb?", "They were so cool!" was the reply, and he gave an affirmative response to my suggestion to paint and organise them for his birthday which was still about 6 months away.

One of several smart Russian Grenadier regiments
The Concept
Gosh, what had I let myself in for? About half the figures were painted, competently but not quite as well as I would have liked - they needed tidying up, and all the bases were wasting away so they would need a coherent approach to presentation. Also Russian v. British was a bit strange, but hey, why not Napoleonic style Imagi-Nation armies where anything goes but in a broadly Late 18th Century/Napoleonic/Regency period way? Create some rules that were straightforward enough for beginners to pick up quickly, give some ideas for setting up games, and even maybe a campaign setting, some basic colourful terrain.......


The Rules
Seb and I had already played some rudimentary wargames with his "Green Army Men" but I thought I could introduce him to the cut and thrust of "Horse and Musket" wargames now.  I showed him my DVD of the movie "Waterloo" as a taster, quickly explaining my way through while skipping the talky bits. He had a great attention span for that.  I wanted to keep things simple and basic but also with challenging elements, so Command and Control was kept to 12 numbered cardboard "chits" allocated at random to units, or Generals commanding one or more units. The 6 sided die (D6) was all we needed for more randomness and most things were in multiples of 6 (Well it was to be his 6th Birthday present!). I did not want any issues of inches or centimetres (BREXIT was looming.......) so settled for measurement in "Basewidths"(BW) which I know is not original but it is practical and means the rules can be adapted for anything. I found most of the base widths I had already used to mount figures was 4.5 to 5 cm so the BW for the game became 5cm and I standardised on 3 Line Infantry per base close together, 2 Light Infantry in skirmish order, or 2 cavalry more or less boot to boot. The amount of figures per base is irrelevant really as all casualties and morale are worked out on bases lost. Small arms Firing is limited to 6 BW and a D6 used to match, with minimal addition and subtractions. The same applies to Melee.  Movement is by BW, and artillery uses the distance of 18 BW for maximum range. So a couple of measuring sticks are advisable and you can see two in the photo above.  Morale gets steadily harder to stand the more bases lost and units can slide through Shaken, Retreat and Rout or Surrender. I played around with these ideas on a flat tabletop first of all and they seemed to work so I now had to find some guinea pigs willing testers. But first I had to make bigger and smarter armies in a classic 1970s style - simple but neat paintwork and slightly glossy finish.

Completed edition of the "Seb's soldiers" rules and Quick Reference Sheet

The Armies
Bigger armies? Yes, I'm a wargamer, can one ever have enough? Besides if I wanted Seb and others to get a feel for a Napoleonic force there had to be a hard corps of close order infantry, some light infantry, about 25% cavalry and two kinds of artillery. Oh, of course there had to be scope for Guards and Militia types too, especially with Imagi-nation armies. While the figures were mostly MiniFigs they were somewhat of an ill-matched assortment of different numbers that didn't always amount to a proper regiment so I began to look at EBay to make up the difference. I soon realised there is a big market out there for the "25mm" soldier and you have to be a bit careful. Mostly Hinchliffe figures were too big or ugly but the occasional Hinton Hunt, and especially Les Higgins, figures were fine. I was glad I had practiced recognising these in the 1960s and 70s when my brain was young and nimble as the Ebay advertisers often did not know what they were selling. Anyway, although this purchasing element took on a feeling of megalomania I rarely bought "finished" figures and never paid huge money. I lost quite a few deals because I refused to bid into silly money. I'd say most cost about 50p for an infantry figure and up to a £1 for cavalry. No doubt real collectors would be prepared to pay more.  I purchased a couple of hundred more over several months and got some cute small mountain guns with mule teams from one of my art clients at Cotswold Wargaming Day!

The "Russian" and "British" armies (more on them later) ended up totalling about 300 finished figures with a mixture of accurate historical units, approximations to historical accuracy, "mercenaries" from other nations, and a few just made up. Photos of the armies available for his birthday in November below; I did add some more cavalry at Christmas.

The "British" army - excuse the French gunners, they just look "cool"
The "Russian" army with some fictitious mercenaries

Test Game One - The Battle of St Misha's Crossroads

The first willing tester turned out to be my old mate Kevin East from Bristol and by chance he could offer a 6 year old boy to help! Kevin was having friends of his Russian wife to stay for a while and was happy to find such an interesting distraction for a boy who had already shown interest in Kevin's own fantastic Napoleonic collection (see for example this Guest page and many of my Hougoumont and La Haye Sainte blog posts from 2015-16). So Kevin brought Misha, and his Mum, Geniia, to the Cotswolds for a few hours of military-related fun, which included dressing up as pseudo Napoleonic/18th century characters using my art props. See these example photos:




But, enough of that frivolity, on to the game!

My plan was to produce a nice looking battlefield with decent sized forces at the point of engagement thus ensuring action from the start. A small mixed rearguard of British troops was deployed across the crossroads named after St Misha's Chapel. I operated the British while my guests took the much larger Russian attacking force. I had reinforcements trying to cross a single bridge to come out of the town at my rear. Misha and I had to have a dice roll contest for each Move - he won the first one thus keeping me back. My right flank is covered by a very extensive patch of bad going forest in order to focus our attention on closer action in the open. The Russian objective was to control the crossroads and drive all the British away. This picture gives a good idea of the overall situation at the start:

Russians left and British right

And this one as we proceeded to instruct Misha

Now here is a twist. Misha could speak a little more English than my Russian, which is limited to "Thank you" and "cheers". Geniia knew some English and Kevin some Russian, but neither confidently, so the two adults had both downloaded Google Translate audio to their phones and we spoke in our own language into a phone and then listened to Google's idea of the translation. Sometimes the results were hilarious but Kevin and Geniia managed to smooth over the inaccuracies and it took us an hour to do one action-packed move. My 5 units and the reserves each had one of my 6 Initiative tokens while the Russians used individual units and small brigades with 3 generals to take up their 6 tokens. After one move I think the "linguists' and the 6 year old were a  bit exhausted so we lightened up with the dressing up games before they went home. Genia had proved a charming, intelligent and funny female wargamer, and Misha very politely declared it was a great game which he had really enjoyed.

But of course it was not much of a game in just one Move so I finished it off with 5 more Moves soon after they had gone.  You can enjoy all the photos I took of that on Google Photos here but here are a few samples:

The Royal Scots Greys engage Russian Hussars and Dragoons
The 18 BW long artillery stick in action.
A lucky shot set the chapel on fire (a 6 needed if a hit scored)
British reinforcements cross the bridge
Russian Hussars chase the remnants of a British infantry regiment into the river!
As the successful Russian army advances they bring up the artillery. A much depleted (command stand only) Grenadier battalion flees past. Note the artillery ammunition markers
Those 5 more Moves gave me a very good idea of how the rules mechanics were working and moved me on to Version 2.  Artillery could be very bloody so I reduced their effect slightly. I made Morale 1 point more difficult to stand hoping more units would retreat before being destroyed, and I introduced a charge to contact distance to give attackers more chance to get in without too much fire on them. I found the Initiative chits worked a treat and gave an exciting tension to the game but, despite the occasional "big win" produced by a lucky draw, balanced out the more Moves you had. Thank you Kevin, Misha and Geniia for your help.

Test Game Two
And so on to the second test game which was a couple of weeks later and I allocated a full day with pub lunch (remember Pubs?) for this with another old friend, Mike Tovey. I wanted to try the rules with the full sized armies (around 12 units each) and my 8 x 4 foot table. The terrain was a combination of my usual hills and buildings plus the roads and rivers I had refurbished for Seb from a very cheap Ebay buy. I think it looks quite pretty and still has a classic feel. Here is a photo of the initial set up:
A small British Advanced Guard defends a hilltop church and village trying to cover two river crossings and awaiting the Main Force. A Russian force of a small infantry brigade and a cavalry brigade is pinning them in place.
I tried to think up a scenario which would balance the armies and terrain across the whole table, so, inspired by some of Frederick The Great's outflanking moves, I contrived to fix a British Advanced guard in a good defensive position which would be pinned by Russian opposition and then the Russian main Force would arrive in their rear to head for the river crossings. But they would be met by the British Main Force in a kind of unequal race to secure the bridges.  Mike was to command the British and have some choice over allocation of his Main force brigades to roads. For the Russians I divided up my baselines into segments and rolled dice to determine where the brigades would come on or deploy. That would give me a challenge and avoid an unbalancing concentration of force. Some photos (below) with captions might help but here is a link to the full set if you want to see them.

In brief the order of battles were:
British
 - Advanced Guard of one each of Lt Inf, Lt artillery, Cavalry and large Line infantry
 - Main Force of 2 Infantry brigades and one Cavalry brigade
Russian
- Advanced Guard of one each of Lt Inf, Lt artillery, large Line infantry and a brigade of two cavalry regiments
- Main force of two Infantry brigades plus one more regiment each of Lt Inf and cavalry

For those who want the detail, here is a link to the full order of battle as a downloadable PDF

Russian Main Force begins to arrive and head for the Manor house
Mike's Main Force makes quick progress on the roads and
 he occupies the Manor with riflemen
My right flank cavalry began to engage the new arrivals near their bridge
Light infantry contest Church Hill and the British Light Dragoons boldly attack
a large Russian Grenadier regiment supported by Light artillery. This became a
 hard fight with my infantry being the first to fail Morale leaving the artillery
 to be crushed by Mike's cavalry.
More British cavalry join the bridge melee, outflanking my dragoons and I could
 tell it would end badly.........
Mike had set up an artillery death trap between the bridges and
 I could not make headway there. (The red 'E's denote Elite units
and the green numbers are bases lost)
So I launched a powerful attack on the Manor and drove out the
 Rifles, but that did not get my infantry to the bridge in time
These few pictures are just a snapshot of a 3-4 hour game that was full of incident and decision making and I thoroughly enjoyed it; I hope Mike did too. He certainly caught on quickly to the things that mattered, and despite some of my local successes such as taking the Manor hamlet, he had denied me the bridges and Church Hill and the village by the time we had to call time, and my army was very badly mauled.

This game had proved to me that the rules were satisfying and challenging to experienced wargamers without being unnecessarily bogged down with detail. In particular the 12 Initiative tokens works with any number of actual units if you allocate them to Generals commanding discrete groups of units, or particularly critical individual units. The artillery still proved too dominating so I halved the allocation of hit dice to gunners. When you read the rules this might strike you as unduly complex, for which I  apologise, but it's really pretty simple in practise. And so I was then on Version 3.

The Birthday Game
Seb's birthday was fast approaching and I was content that I had a workable set of rules, complete, balanced armies, and some terrain to get him started. It happened that the day before his Birthday The Duchess and I were on Granddad duty for him and his sister and we had a couple of hours spare before a planned cinema outing. So I set up a battlefield with what I had made for him which was a 4 foot by 2 foot board covered in a Javis grass railway mat and a few contoured hills to match, plus the roads and river and a bridge seen in Game Two, and a wood. He likes building Lego so I suggested, as storage space is a problem at home, he could make his own buildings. Here are some photos and there are a couple more near the top of this post .




Given the short time we had, and that it was his first game I invited him to choose the 5 units he liked the best from the British Army and then I roughly matched them with 5 Russian units. Suffice to say I gave him advice and guidance but he did comprehensively beat me in only 3 Moves! This took about an hour which seemed to match his attention span and of course he was involved all that time due to the random nature of the Initiative chit system. He enjoyed it and we packed it all up for him to take home that day.

The Rules
If you've got this far I hope you might be interested in having a look at the rules. I have produced them in a large font to a make it easier for youngsters to read, the text also explains in simplistic terms the various types of troops used in battles of this period of warfare, so complete beginners can pick it up straight away. There are some photos of games in action too as featured in this blog post. Here is a link to the Downloads sidebar for you to get a copy for free
And for ease of play once you have read the rules - a 2 sided Quick Reference Sheet
I recommend you make your own game counters but if you don't want to here is the sheet I prepared for us in a rather rough state showing Shaken, Rout and ammunition markers
You will also need a set of robust numbers 1 - 12 with one side blank, to pick them blind at random, for the Initiative order of play. You will need some method of keeping track of the number of bases lost per unit.
PLEASE NOTE - All the resources from this Blog are Copyright to me as the creator
Permission is given to download and print or copy them for personal use, and I hope you will, but if you want to use anything for commercial purposes you must seek permission from me first. If you pass this on, share or use anything on social media etc,  please give me credit by name and a link to this blog, thank you.

BUT, DON'T GO, THERE IS MORE!

Wider use of Seb's Soldiers
I was driven by circumstances towards the classic style 25mm figures as stated but I reckon you could use the Seb's Soldiers rules with practically any period or scale. For example in Ancients swap muskets for bows, make slings and javelins just a 3BW range, give pikes or cataphracts a significant plus in melee, a better saving roll for more armour, chariots/elephants can have a single D6 as a weapons platform and a plus 1 in combat, elephants a minus 1 on Morale if within 3BW of cavalry etc, etc.  Make up your own rules to suit. Or how about Space, Science Fiction or Fantasy? Get out those Warhammer 40K Space Marines and mount two or three to a strong cardboard base and form them into units. The different weapons could have varying BW ranges and add or subtract for effect, or if hit by certain blasters - no saving throw and just fry! Same for the longer range weapons. Eldar jet riders can be your cavalry.......do what you need with the rules they are as broad as your imagination.

Talking of which, although I've created a Napoleonic style Imagi-nation, if you don't mind a bloody battle and can overlook the time scale issues, I reckon you could use the rules more or less as they stand for historical battles that are of small scale with battalions as the main unit  (e.g. Vimiero, Corunna, most American Revolution battles etc). If you set your sights higher then imagine doing Waterloo - 1 x 25/28mm figure would represent 100 real men with the basic units as brigades, and you limit muskets to 2 or 3 BW range, Rifles to 4 BW, Light artillery to 12 BW. Introduce heavy cavalry with a plus 1 in Melee, Initiative chits are given to Corps or Divisional commanders, maybe not enough to go round each Move!......... For this your ground scale becomes something like 10 BW is 500 metres if you are translating from a historical map.

An Imagi-Nations Campaign
As you can see from the above the rules can give exciting and varied sized one-off games for all ages but I wanted it to have the potential as a learning experience for Seb as he likes making up stories and writing them in his own way too. So I created a little world that was on his doorstep (he lives near Cricklade over the Wiltshire border from me) but set around 1806 with less roads, no railways, but when the Thames and Severn canal was a new addition to the local economy. Here is the map I drew and laminated for him to draw on if necessary.


I messed around a bit with History where England is in turmoil due to the madness of King George and discontent with the Prince Regent. The "baddie" is Earl Bathurst of Cirencester who has appointed himself Duke of Gloucester. He has a private army which takes its inspiration from the contemporary Russian Army with the odd mercenary or local militia units as well.  The young Duke Sebastian of Purton is our hero and is so loyal to the Crown that his tiny army has been augmented considerably by regular British army units, including Guards, The Scots Greys and Riflemen.

I created a PDF which starts with this story expanded somewhat and gives a suggestion of how the map can be used as the scene for multiple small wargames. It also contains a visual record of the units currently in Seb's armies - names, strength in bases and quality. Obviously this is unique to his eclectic mix of units but it could give an idea for your own version.  Here is the link to the Downloads sidebar
Seb's Wars - A campaign background and order of battle
and a link to the map if you prefer it to the one above
Glos/Wilts campaign map about 1806

A wargame for the family
I put this into practice for the family Christmas wargame (a couple of pics at the top of the blog) and tried a different approach.

I selected an area on the "border" round Ashton Keynes, where Seb goes
to school and allocated 2 or 3 Victory Points to crossroads, bridges and villages
The entire armies were set out behind the playing area edges and the players invited to chose 6 units at their complete discretion. I knew of old that both Scott and Rossen had studied some military history and had good ideas to bring to bear.
But neither of them was familiar with these armies and did not deliberately take troop quality into account
Scott and Seb chose "British" cavalry, heavy and light artillery, 2 line infantry and one light infantry and spread them across the entire baseline to maximise their options in respect of the objectives. I allowed a 6BW start line so we got action quickly
Rossen and Lucy had a different idea for the "Russian" army based on the German schwerpunkt or American "get there firstest with the mostest" philosophy!  Three artillery batteries more or less centrally and two Elite infantry regiments to go for Ashton Keynes village. A cavalry regiment was assigned to thwart any enemy flanking move on the right

Seb's riflemen on his far right were totally unopposed and his other two units only engaging at long range. The good news was that he took three objectives without any loss, the bad news was that he wasn't getting much of a game this time and began to lose interest about the time we realised the Worzul Gummage Christmas special was coming on TV, so we lost him and his Auntie Lucy. The two big boys, however, were relishing the opportunity to use the full force of their chosen units to fulfil their plan. All credit to both for taking it down to the wire and gave me a thoroughly enjoyable second hour helping see what would happen. In a sense both won. Rossen's concentration, especially with artillery, made any hope Scott had to win Ashton Keynes completely untenable, but that village was only worth 3 points and 2 for the road junction. Despite having lost more points in troops/units Scott, with Duke Sebastian's force, had a road junction, two bridges and the village of South Cerney so I declared him the winner.
After his TV programme I told Seb of the outcome "Aagh, they got my school!!!" he declared.

If you still haven't had enough classic wargame figure eye candy you can see all the photos of this game here.

The serious bit
All this happened by Christmas and I have been meaning to blog about it for ages. In the last couple of weeks I realised maybe it could be something of a public service to do it now. It is sad to reflect that Seb can't share "Seb's Soldiers" with his school friends as he is home. His Mum, a doctor, is at time of writing, about to face her first stint on the frontline making life and death decisions over a prolonged period of time. His Dad is having to spend time coping with a full load of home-schooling for him and his sister while still trying to look for meaningful work as a very skilful freelance graphic designer.  I imagine many of my readers, or people you know, may well be in a similar position. As a father of four children (now all grown up) I can well imagine how difficult it must be to keep them amused as well as keep up the learning while locked down and shut in. This applies throughout much of the world not just the UK. Anyone who has made a wargame army, or designed a military-based game, especially if researched from real history or even fictitious literature, knows what a lot of life skills wargaming and modelling can teach.
Reading
Writing
Maths
Organisation
Decision making
Teamwork and cooperation
Reading and Drawing maps
Making models of terrain, buildings, equipment and vehicles
Painting model soldiers
Research and Analysis
Computer graphics for production of game aids
and probably many more I can't think of.

My own Dad knew all this. He was very keen on history but never wargamed though he and Mum gave over 4 or 5 rooms in their house every month for 10-15 spotty teenage boys to play historical battles. As I got older he told me what a great thing he thought it was that I ran a club to give so much benefit to growing minds.

So now we move towards a very uncertain future I hope some of you may be inspired by Seb and his Soldiers to try something similar while you are locked away and maybe with plenty more time to spare than you ever expected......

Remember all our friends and relations in the Medical and Caring services, many are risking their lives. STAY HOME: PROTECT THE NHS: SAVE LIVES
Thank you
Chris