Wednesday, 21 April 2021

"Lady at rest - Countess Natasha Gruzinskaya 1755", or "My Homage to Boucher"

By 1755 even Sir Joshua Gregg RA himself was surprised by how far his fame (or notoriety if you prefer)  had spread. He was in Paris on one of his many European tours when the letter arrived from what we now call Georgia requesting him to paint certain notables in the court of Count Gruzinsky on the eastern coast of the Black Sea. Ever seeking adventures and new challenges our artistic hero jumped at the chance, and the large fee being offered by this senior official of the Russian Royal Court. 

The Count referred in particular to his 20 year old daughter, Natasha, the Countess Gruzinskaya (his wife having unfortunately died 3 years earlier) and his desire to have a tasteful portrait with which to attract an eligible suitor in Saint Petersburg, as she was long past marriageable age in aristocratic circles.

With that in mind Sir Joshua added to his portfolio a sketch given to him by his friend Francois Boucher a few years earlier. This was a pose Joshua had long admired (as he did all Monsieur Boucher's many paintings of ladies). It was a beautiful drawing sketched from life of a young girl on the fringes of the French Royal Court called Marie-Louise O'Murphy and whom Boucher had been commissioned to paint in 1752 for no less than King Louis himself. Josh also chuckled as he found the sketch he had done of Francois working on the painting.  Maybe this trip would offer a chance to use it as inspiration.......

Life sketch of Miss O'Murphy
Boucher at work 1752. Pen and ink sketch by Sir Joshua Gregg
(tongue in cheek - actual artist unknown)

So that Summer he found himself getting acquainted with the charming, intelligent and humorous Natasha. She was unlike Boucher's well endowed young teenage blonde of the French Court but was dark, slightly Asiatic in appearance, mature for her years and with a beautifully proportioned figure. Like all aspiring Russian noblewomen she was keen to improve her knowledge of France and French language and Sir Joshua was very happy to give her his insights during the posing sessions. He gained her confidence to such an extent that, soon after the official portrait was completed, he had little difficulty in persuading her to give Boucher's pose a go. The Black Sea coastal Summer weather added to her enthusiasm to disrobe for an artist. The Georgian palace was well equipped with French style furniture, plump cushions and silk drapes and Natasha joined in keenly with arranging them..... 


Lady at rest - Countess Natasha Gruzinskaya, 1755. Oil on board, 22 inches x 16 inches
 by Sir Joshua Gregg RA

.............choosing a long blue hair ribbon and plucking some roses from the garden to scatter in some semblance of how Sir Joshua described Boucher's original touching scene........


He also told her there needed to be a book in the foreground and so she found the well-thumbed first edition of Moliere's "L'ecole Des Femmes" which her father had insisted she read as he seemed to think (despite being written 100 years earlier) that it contained useful advice for a young wife in sophisticated society.


However, anyone familiar with their classic French literature will view the pensive look on Natasha's face and wonder....She was not to be the ugly and stupid, but honest, bride desired by Arnolphe in the play; she was already a headstrong, free spirited, highly intelligent and capable young woman. She was her father's daughter....an expert horsewoman and already a match with the sabre for any officer in her father's regiment - the Gruzinsky Hussars. This time with Sir Joshua at least gave her an opportunity to show her softer side and indulge in some intellectual conversation away from the rough horseplay of the officer's mess...............

                                                         XXXXXXXXXXXXXXXXXXXXXXX

Well thank you, dear reader, for indulging me thus far!
Many followers of this blog  will, like me, be admirers of the style as well as the military history and costume of the 18th century and Francois Boucher embodies that decadence in much of his work.  When I first met Yaroslavna in 2014 and discussed with her the kind of posing she wanted to do, apart from Hussarettes and the other fantasy subjects, we thought something tasteful by Boucher would be good.

I'm indebted to that noted wargamer-blogger and art connoisseur Legatus Hedlius for his research on this painting of Marie Louise O'Murphy and can do no better than quote some extensive pieces from his blog. Please enjoy the different renditions of the original painting under various titles, and his information.

Ruhendes Madchen

"Mary-Louise O'Murphy de Boisfaily by François Boucher (1703-1770).   She was the fifth daughter of an army officer of Irish extraction, Daniel O'Murphy de Boisfaily.  She was born in Rouen on October 21st 1737. After her father died her mother took her to Paris where the widow traded in second hand clothes whilst finding work for her daughters. Mary-Louise became a dancer at L'Opera and a model. Casanova knew her (she is mentioned in his diaries) and she may have been his mistress, briefly. Casanova certainly introduced her to Boucher who painted this picture of her in 1752 and also had an affair with her (33 year age difference not withstanding). It has been argued that the picture was produced as a direct invitation to Louis XV; demonstrating that she was available to be his mistress

Louise O'Murphy

Marie-Louise O'Murphy

She quickly became one of Louis' second tier mistresses and stayed so for two years. Louis had an official mistress, of course, Madame de Pompadour. Mary-Louise bore the king an illegitimate daughter, Agathe Louise de Saint-Antoine (1754-1774), but she tried to oust Madame de Pompadour from top mistress spot and was soon kicked out of the court and married off to Comte de Beaufranchet, who must have been very cheered by this development, as Mary-Louise was still only 17. He didn't get to enjoy her for very long, though, as he was killed at the Battle of Rossbach in 1757, where Frederick the Great smashed a combined Franco-Austrian army. Mary-Louise subsequently had two more husbands, including one who was thirty years younger than her who she married at the age of 61! Although she was imprisoned for a time during the French Revolution she survived The Terror and died in 1814 at the age of 77. The painting now hangs in the Alte Pinakothek in Munich.  It is a comparatively small picture: about 24" by 29" and was just the sort of sized picture Boucher would turn out for the cabinets of his wealthy gentleman collectors.


Resting Girl

Boucher also painted another version of the painting, which is in the Wallraf-Richartz-Museum in Cologne, but it doesn't quite have the plump pliancy of the original.   Boucher was a prolific artist, producing over 10,000 drawings during his life, and at the time was criticised for churning out paintings for the money."

The blonde odalisque

I certainly did not "churn this out for the money" and I hope its new owner will think the painting good value for a modest outlay. Like Legatus I just admired the simplicity and supposed innocence of the subject and it was a bit of surprise later to find out about her questionable life! I did not know that when Yara and I set out on this mini-adventure. My Russian model proved to be enthusiastic and most supportive, setting up the scene with drapes, sheets and cushions. Here we are making adjustments to try to fit the photos of the original painting.



As  more than one version of Marie-Louise O'Murphy was painted I did not feel obliged to be totally authentic and the colours of Yara's furnishings sets off her skin so well I absolutely loved the effect. I hope you do too.

I used the full blown classic techniques of outline sketch, grisaille underpainting then colour underpainting and finally many layers of oil colour to get  the richness this subject needs.  I had cut the canvas board to fit a lovely 18th Century style frame I had already. It was gilt and a bit garish for modern tastes so I repainted it in thinned acrylic and then dry-brushed all the raised Rococo style detail in gold acrylic paint.  I think the result is smart, elegant and slightly "edgy", and sympathetic to the painting without overpowering; which is what a frame should be. This painting of Natasha needs to dry thoroughly and then have several coats of gloss varnish. When finished it will have the feel of a 250 year old oil painting - but look fresh of course!


As if I was not already lucky enough to have done the photoshoot and then the painting, the first client I showed some photos of it to snapped it up!  That is Colin Ashton, an avid collector and so far has about a dozen of my paintings. So it will be wending its way "up north" in June. Many readers will know Colin in person  or through his wonderful and prolific blogging Carryings on up the Dale .

And for the wargamers - some reminders of Natasha's other exploits.
In 1756 dispatching a drunken Hungarian Hussar while on a diplomatic mission in Prague
After the battle of Zorndorf as a prisoner of Count Gregorius in 1758 she managed to prove her usefulness to the Count that she became a General commanding his Household Brigade of cavalry.

She got the chance to show off in the Battle of Pepperoni on 22nd June 1760. This was a game which took place in January 2018 and I never blogged about it for some reason. Count Gregorius had been charged by the Empress to lead an expeditionary force of the Grunburg Contingent to attack Savoy from the southern borderlands with Italy. He caught a French and Savoy force defending high ground near the village of Pepperoni. I will spare you a full report (it's a long time ago for my memory!) but I've tried to concentrate on Major-General Countess Natasha Gruzinskaya and her cavalry brigade:
The 1st Grunburg Leib Uhlanen (red and white Bosniak lancer uniform)

And you can generally spot Natasha as she is the Hussar commander with the yellow pelisse and the um....er...flesh coloured breeches!

Grunburg Household Cavalry Brigade


Grunburg Hussars take on the French Royal Dragoons while the Orleans dragoons are taken by surprise in the rear by Black Hussars

Major General Natasha brings up the Heavy Grunburg Dragoons

But her brigade is split up by the ebb and flow of cavalry action

Causing Count Gregorius (on this day played by South London Warlord extraordinaire Martin Gane) to think really hard.

The Grunburg Dragoons have seen off the other French cavalry and turn on the Orleans Dragoons who are now trapped by the Grunburg Uhlanen and some allied Freicorps infantry

The Freicorps move off but the French Dragoons are trying to fight their way out


After a further round of melee Major General Natasha claims the entire Orleans regiment as prisoners in her first battle for Gregorius. Next time a Division or Wing commander?



As usual with these specialist images, if you post elsewhere you must give me credit as the artist and owner of the copyright, and link back to this blog, thank you.

And if that is not enough please see loads more of my art as well as Military and Hussarette subjects on my new Art website Chris Gregg Art



Tuesday, 23 March 2021

Introducing my new(ish) Art website

One of the things that kept me busy during much of the lockdown period last year was working on a new website for my art, a lot of which is military related. I was very lucky that well known wargamer Colin Ashton has a talented wife, Katherine, who is an IT teacher by profession and web designer in her "off duty" time. Colin volunteered his spouse's services as he is an ardent collector of my paintings and great supporter of everything I do.

So I submitted masses of images and plagued Katherine till the Summer when it was almost ready and then I had to learn how to  keep it updated and maintained myself. We did this by means of several Zoom video sessions, and what a wonderful teacher she proved to be, so that by Autumn I was able to start updating it and unleashed the published version on the world in late November.  Some of you may have seen mention of it on your Christmas cards from me.

I'm very pleased with it indeed as the forerunner was a shared site among  Cheltenham artists and Andy, artist friend and webmaster, admitted that it was now outdated and could not effectively be updated. That site still exists however with most of my work from the Noughties up to 2017 still to see. There is a link to all that stuff from the new website.

It has been a work in progress since Christmas (slowed down by my having to paint for an exhibition locally, now in progress and going well) and still is in minor details. But at last I think I have got almost all my existing stock of paintings for sale on there as well as very much else.

There is a Welcome page from which you can navigate to everything else either via the front pictures or a Menu at top right.

Welcome page

Screen shots of CG Art Website pages


There is an About page which has a lot about me and there is more on various Theme pages that fleshes out my artistic history and motivation and methods.

About the Artist

The main part of the site is seven Theme pages:

Drawings, Fantasy, Military, Hussarettes, Landscapes, Figures and Portraits

Themes


The commercial part is a "Works to buy" page and there is an (irritating?!) animated button on each page with a quick link to it - go on - you know you want to! Currently there are over 30 paintings there for sale of nearly all the genres I cover.

Works to Buy

There is a page just for new work, so I can show off the latest commissions too.

New Work

And just for fun, some of my favourites merely to look at - called the Gallery page. Here, as throughout the site, you can click on the images to enlarge the view and click on Information buttons to find out more about the painting, sometimes with staged demos of how I composed and painted them.

Michelle of Mortier's Guides
Acrylic on canvas 10 x 8"
Ian Allen collection

Gallery

Finally, I hope, if you have enjoyed a look around the site and want to contact me about anything (maybe commenting on paintings, enquiring about a commission or wanting more info before buying) then please use the "Contact" page at the end. That should go directly through to my usual email as if non-contacts try to email me direct it has been known to go to my Spam folder.

As an incentive I'm offering free UK postage (or equivalent value discount for overseas buyers) until Easter as an introductory offer if you use the Contact page. So now is as good a time as any to buy if you see something you like. And if you'd like to commission something special, such as an Imagi-nations military subject or a favourite battle story, a military lady or even a Fantasy or Sci-Fi subject, then I have experience in them all and we can have fun working on it together.

Thanks for reading this and I look forward to hearing from you.

Chris
(aka Sir Joshua Gregg RA)

Saxon Rudnicki Uhlanen 1757
Acrylic on canvas 15" x 8"
Colin Ashton collection

Tuesday, 16 March 2021

18th Century Mini Campaign - The Raid on Vestisle Part 7: Wrap up and Conclusions

 (NB: Tabletop game over but the following narrative is compiled from post game role-play and discussion and several player emails putting forward suggestions of what might be the outcome of this, far from insignificant, slice of alternative history. Please forgive the differing formats as I've copied passages from emails - too good not to share verbatim. This follows on directly from Part 6 and is interspersed with some close up photos from various parts of the mini-campaign. Towards the end are some reflections on the whole project, please comment if you have enjoyed it or found it useful).

Abrantes City and harbour as seen from the Cime d'Abrantes about 0800 on 11th August 1756

The Duke of Marlborough's situation
Ken as the Allied C-in-C

By 0820 on Sunday 11th August The Duke of Marlborough had been watching a large pall of smoke rising over the stone bastion on Abrantes harbour and wondering about the consequences. Was it too much to hope that his plan for Cochrane's sailors was working? ADCs looking through telescopes reported heavy musket fire around the city gate of the bastion and inside its retaining walls. Also puffs of musket smoke around the Hotel de Ville and then The flag of Vestisle which had been flying above the building was slowly replaced by a red ensign. Was that a faint British cheer emanating from the city centre?


Marlborough had originally hoped that the Royal Naval elements would blow some holes in the walls on the island side of Abrantes and that his troops would be near enough to exploit it. He surmised that timing and events had caused Cochrane to attack the harbour bastion and Town Hall first, and so he scanned the horizon along the whole battle line to figure out what to do. Far to his right his flank had collapsed  and the Jacobite hIghlanders were rampaging over Bellune Hill, looting corpses and trying to assemble in and near the woods to outflank the Hanoverians. But the elated Highlanders were slow to assemble and von Brunck had plenty of time to order his entire force to face right to put on a formidable front of cavalry and infantry since they no longer had any French to their own front. However it meant there would be no assault from there on Abrantes city.



So Marlborough's gaze then alighted on his own centre where a single regiment of French cavalry was causing havoc to the line which was already crumbling. The only bright spot was that the French line brigade opposite, at the farm, was clearly the worse for wear and would not be counter attacking but just trying to protect that approach to Abrantes.



As he looked along the ridge to his front and in the valley at his left things looked a bit better. The French Guards and elite infantry had been taking a battering and Granby's reserve of 4 Grenadier battalions was fresh and nearby. Although the German musketeer brigade was falling back in the valley the Allied left flank on the Cime de Cassatte looked strong and healthy. Also he had 5 Battalions of Hessians still in reserve - plenty of strength just not in the right places at the right time. That was because ahead of this wing there appeared to be no weaknesses in the French line to test.



Nowhere did he feel strong enough to risk an attack on the city, at least not till some news was received from  Cochrane's sailors.


Marlborough had the orders from Horse Guards still ringing in his ears "My Lord, remember this is a raid not an invasion. You need to inflict a bloody revenge on the Frogs for Minorca and try to ensure the threat from the Jacobites is blunted, but don't risk losing our Army in another fiasco!" So he ordered his generals to rally as many troops as possible and fall back till things clarified.


Around 0845 his aides brought forward an exhausted messenger, a midshipman whose youth and knowledge of French language had enabled him to blag his way through the battle lines with a scribbled message from Captain Cochrane:


"Your Lordship

Young Pretender captured but lost to accident in transfer to ship. Unable to recover his body. Bastion gate blown but my troops overwhelmed. French VIPs including Duc de Vestisle prisoners. Making escape with about 200 men and prisoners by sea to North to rejoin fleet.

respectfully

Cochrane (Captain RN)"


So that made up Ken's mind. An honourable retreat would save the army and Charlie's death would disrupt the Jacobite cause better than he could have dared hope. Job Done!



So what had happened to Charlie and his followers?


The prisoners were taken via the now unguarded North gate to the Abrantes beach. The French navy and transports had mostly set sail for Brest on the dawn tide and the few which remained only had skeleton crews and cannon not run out for action.  So all that greeted the escaping sailors was a desultory fire from swivel guns mounted on the gunwhales with hardly any effect.  But there were enough fishing boats and cutters at the beach and harbour to be commandeered and be able to take everyone off. 


According to Guy:

French High Command lost no sleep to hear that Bonny Prince Charlie ‘slipped’ trying to embark from the jolly boat to transfer to a ship into the deep after a British sailor had surreptitious lifted his wallet and replaced it with some lead weights. The men, women and animals of the island are now safe from his dubious tastes. His retainers being tied up, were unable to rescue him and they were bundled below (not a chance of a ransom or promise of good behaviour, France already has too many aristos seeking gainful employment). Jamie Fraser had been wounded trying to defend Charlie in the scuffle at the Hotel de Ville but, back in England, would be hanged for treason (Sorry Clare, away on your jaunt in America, you'll never meet him again!). Charles has died and without any French blame. The best of all worlds. We get rid of a problem and our agents can spread the news around Scotland that the Brits actually did him in. That will keep the fires of revolt smouldering. The official court obituary will remember a noble Prince, with perfect Christian morals, who thought only of his people.

 The search for Charlie's body was unsuccessful...... 

According to Ken's "alternative facts":

In news from London, Lieutenant Bond from His Majesty's ship Audacious has been promoted to the rank of commander and reassigned to the Foreign Office to carry out liaison activities. I understand his last duty included commanding the side party of the Audacious when Prince Charles was brought aboard. 

The lieutenant's actions in attempting to rescue the prince from the water have obviously been recognised and it's good to note that no blame is being attached to him following the  unfortunate and unexpected failure of the side rope. 



But there is a lot more to say. In the spirit of those drama documentaries based on real life they go on to tell you the fate of the protagonists.


What happened to the French gold secured in the bastion casemate?                                                                                                                                                                                                                                  

The gold was well hidden so Richelieu could stand to be financially far better off. All the aristocratic witnesses as to the gold’s whereabouts are captured so he will plant fake news saying the British took the gold and the French are to disbelieve any denials from perfidious albion. The servants who knew will be given a one way ticket to Guadeloupe. Trouble is only the Duc de Vestisle and Chevalier Dumonnaie had the two keys to the casemate under the bastion where the gold was stored. The Sergeant of the guard at the bastion had been taken into DuMonnaie's confidence and he was wounded when the sailors exploded a gunpowder keg among the surface-stored ammo. The company of British sailors at the bastion was finally forced to surrender by the whole battalion of Citizen's Militia which Guy so generously sent there and so the Sergeant will recover from his wound and demand a significant pension and sinecure as Deputy Governor of Vestisle from Richelieu  and De Muy in return for keeping quiet while they break down the door and distribute the ill gotten gains as they see fit.

(No doubt having originally trained as an avocat at the Sorbonne, De Muy will advise how to draw up a contract making sure the Sergeant gets as little as possible (sounding a bit like Les Miserables!)



What happened to the sailors and the Abrantes Militia at the Chateau du Roi?


It had always been the intention of Captain Cochrane and Lieutenant Bond to ensure a message was got back to 2nd Lieutenant Dumbleton who had been left in charge at the Chateau du Roi and of the 250 or so prisoners from the ambush of the Abrantes Militia battalion. (As stated in the original British brief no one was equipped to cope with prisoners apart from the VIPs) The prisoners had been locked in the (emptied) wine cellars below the Chateau since about 1100 on the Saturday and had been nearly 24 hours with little air and no food and water. Many were wounded, with no medical care. Dumbleton's scouts up the trees in Chateau Woods reported on the battle, the explosion in the harbour bastion, and eventually ships moving out of harbour and the Allied infantry forming up and moving Southwards back to Beach 4. Cochrane failed to remember them as he was so concerned to get his valuable charges off the island quickly. Dumbleton waited and waited but soon became aware that the whole of the Legion de la Morliere was heading his way to sweep up his mere 75 sailors. So he ordered all the cellar doors locked and barricaded as he scuttled off back to the boats at the Quai du Chateau to catch up with the British Fleet.



Morliere's men had fought three battles in the last 24 hours and lost their commander and were pretty jaded so they only gave a cursory look around thinking the men of Abrantes had been taken away to England. By about 2pm, however, someone heard faint banging from the cellars and investigated, the doors were battered open but by that time it was found that around 100 men had died from wounds, dehydration and suffocation.  Thus the story of "Le Trou Noir de Vestisle" became almost as famous in French history as the Black Hole of Calcutta is in English. Some unkind souls have pointed out that Dumbleton's younger brother, a mere ensign, had been a victim in Calcutta and the news had only recently reached Portsmouth just before the Vestisle expedition was launched.  The subsequent enquiry into Dumbleton's conduct completely exonerated him and he was promoted to 1st Lieutenant ostensibly for his part in the woods ambush and capturing so many prisoners !


The consequences on Vestisle were grave, however, since over 300 men from the western half of Vestisle had perished thanks to the Duc's original order to investigate the goings on at the Chateau.  These were not professional soldiers but mainly farm workers, fishermen, carpenters, blacksmiths, shopkeepers and cloth workers, so the French Government felt obliged to invest in Vestisle (pardon the pun) and provide money to persuade some of the Jacobites to stay on, and for men from Eastern Vestisle to diversify their work interests across the island in order to help the bereaved families.


That's why to this day there are so many red headed Vestislians with names like DeCamerone, deFrasier, d'Ogilvie and M'Donalde........


https://en.wikipedia.org/wiki/Black_Hole_of_Calcutta



Other Jacobites and Sundry French Commanders?


Earl Marischal Keith will be looking for a reward for the excellent Jacobite performance.

 Lt General Barbier also for masterminding the major part of the battle of Bellune Hill and leading the Guard Cavalry in those glorious charges for an hour and half of frantic excitement finalised by personally leading the Royal Dragoons in a flank attack on British artillery and infantry (I reckon it was those ADCs supplied by Willz wot gave him inspiration!)



The left flank Legion de Lauzun did do exceptionally well but all the units were dispersed and the Comte de Lauzun (who thwarted about 6 or 7 attempts by Dillon to kill or capture him) went back to Abrantes a bit sulkily and will need cheering up by some ladies of the night till his command gets back together.



For the Highlanders Guy promised - 

The Jacobite infantry performed extremely well and now there are masses of potential recruits for the Wild Geese regiments. Their commanders will be offered commissions in the French army



Lord Sackville and the future of history?

Lord Sackville’s untimely death means the outcome of the battle of Minden will be affected. The British cavalry will actually do something so the French cavalry will veer off to face that threat and they will not attack the British brigade. Further though, under Granby's inspirational leadership the Allied cavalry sweeps the cream of French chivalry into the river and the British and Hanoverian infantry march on the French centre using their expert musketry to see the French infantry packing. Minden is occupied, taking an important French supply base, and the French army does a sauve qui peu fleeing back to the French border provinces.  Taken with French losses elsewhere in the world in 1759 King Louis sues for peace under rather desperate terms, and the Seven Years War will be renamed the "Four Years War" subtitled "Liberation of the Low Countries". And Guy helpfully added:
Also Sackville would not become Secretary of State in the American Department in 1775. Fortunately the government minister at the time was a tea drinker, so there was no tea import tax and he supported the concept of the American colonists having representatives as he was an enlightened chap. Therefore the Boston tea party didn’t happen nor the Revolutionary War.

Who would have thought we could so comprehensively rewrite History in a weekend's wargaming eh?


Mini-Campaign Conclusion

On the day, and after the brief discussion, I declared the mini-campaign a marginal win for the British. Just how marginal is shown when I totted up the units destroyed using my Army Points system dictated by quality and size of units (eg. 1 for Small Inferior units, up to 5 for Large Superior ones)


French - 16 units lost represented by 57 points out of a total of 201 = 28.5%

Allies - 16 units lost represented by 53 points out of a total of 209 = 25.5%


So these figures show that the campaign was well balanced and so was the skill and luck of the players. I could not be happier. The players were very complimentary about the campaign and the weekend games themselves, they seemed to have been challenged and enjoyed it. 



For my part it is hard to describe how grateful I was for the weekend's activities. Regular readers will be aware that I've had many Napoleonic weekends in Oakridge since 2015 but they have not really been my "baby" nor a project I felt any long term commitment to. Some of us had a weekend of Imagi-nations SYW in May 2018 which was great but did not use the figures we had to best advantage (too many and too cramped). This alternative history mini-campaign, however, used mostly historic units in a plausible context and felt real to me throughout. That was aided considerably by Ken and Guy playing in character, making sensible decisions and deploying in an 18th century military manner so by the weekend itself we had a fine battle set up for everyone to take part in.  Then Dillon and Graham applied themselves with a will in the same vein to assist and help drive things forward. For me it worked like a dream. They were all so great when it mattered and good at organising themselves - wrapping up Saturday's game and planning the overnight moves to give us a huge game on the Sunday which I found constantly exciting.

Even clearing up was done just as efficiently - thank you to all concerned.



Any lessons to take from this?

I've had many enjoyable campaigns in my rich wargaming life, and many have been pretty realistic, but often complex and time consuming. This one probably worked better than any other I've had so maybe some bullet point thoughts might help others:

  • I shamelessly used the stimulation of Charles Grant's original mini campaign but adapted it hugely in scale and purpose for the needs of our big and diverse armies - so - use a trusted source!
  • Set a finite time to run it - in our case we started in Spring 2019 with the aim of finishing with a weekend of big games in "Summer". The time between was taken with lots of fun emailing and map moves but, with a little bit of licence from me, as Games Master, we got there.
  • Keep the campaign rules simple - just basic map moves by squares cross country and road and not too many map units to keep track of. I printed my map large and used magnets to pin it to a metal notice board. Then took regular photos of the numbered magnetic counters to send to the players as progress sitreps.
  • Don't use more troops for the map work than you can field on the table. I learned the hard way over the years that megolomania has to be curbed to avoid the risk and embarrassment of doubling up on certain required units!
  • Use a small cadre of reliable players. Deliberately I set Ken and Guy as commanders of the forces which would be engaged initially, as they were the main figure contributors. Later I invited participants whom I guessed might be interested in the historical context and/or 18th century classic style games to come for however much of it they wished. It would be up to fate who the subset of players would be and in the end 2.5 days of player time almost worked perfectly. This was 3 guys out of maybe 15 given invitations; I'd hoped for maybe a couple more to turn up during the day games but in fact it worked out pretty good. The only down side was the two Grahams having to leave early so I had to actually play - not my preferred role in my own game!
  • Subset players are also reliable - both Dillon and Graham C were willing to be involved in limited emailing and giving some orders a few weeks before we were due to meet. Though not strictly necessary it did help the "fog of war" and I hope helped them feel more involved than just turning up for the tabletop games.
  • Set the duration of the wargame time to be finite and with measurable and achievable objectives so you can tell who has won. I much prefer historic-style strategic objectives but, as a fall back, I was prepared to use the unit points losses to determine victory. The fact it had such alternate devastation,  yet practically equal losses at the end, is tribute to how well-matched my opponents were in both skill and luck!
  • Having a team of great people to work with who were all experienced wargamers and enthusiasts of the period proved to be a bonus in helping all my planning efforts pay off - so once again very grateful thanks to them


A rare pic with me in (left) taken by Ken Marshall

CREDITS
Original idea - Charles S Grant article in Practical Wargamer Magazine - The Raid on Vesta
Idea expansion, game design, campaign rules and map, terrain and tea making, photos and reporting - Chris Gregg 
28mm Figures from the collections of Ken Marshall, Guy Barlow, Chris Gregg and Graham Cummings.
Around 2,500 Figures mostly by Crann Tara and Minden designed by the late Richard Ansell and commissioned through the foresight of Graham Cummings, Frank Hammond and Jim Purky.
Terrain - mostly scratch built by CG.  Most buildings are foam core or art board faced with downloadable and printed paper/card architecture from various internet sources. Abrantes Tavern - resin by Grand Manner. Hotel de Ville is a converted Christmas decoration mansion. Farm is a Perry plastic ACW farmhouse. Trees mostly by Supertrees of USA. Flexible rubber road pieces from Total Systems Scenic.
Casualty Marker dials by Warbases.

RESOURCES
For my Player Briefings, Orbats, Campaign Rules etc see the downloadable files in the right side bar under 18th Century Historical or via this link